Guest Post: Scott Seldon
Good morning world! Welcome to Week Two of the Tasha Turner Coaching/MasterKoda VBT!
This week’s scheduled guest is a rockin’ sci-fi writer and the author of two books available at his Smashwords page, “Well of Dreams”, a novel, and “Edge of Hyperspace”, a collection of short stories.
Check out his musings about music and writing below and try not to miss your usual “Tuesday’s Tunes” post too much. Hah!
Without further ado… Scott Seldon!
When I was editing my book, Well of Dreams, a year ago, I found the perfect music that set the mood, Daft Punk’s score for Tron: Legacy. It is dark, energetic, and beautiful. I played it while I read and edited and it just felt perfect.
I’ve been using existing music to accompany my book reading for most of my life. I find certain albums that I feel perfectly fit the book and then I put them on repeat as I read. Vangelis’ Direct for Asimov’s Robin/Foundation series is a particular favorite. I find that like the musical score for a movie, having music when I read just sets the mood perfect.
However it is a different story when I’m writing. What I enjoy listening to while reading makes for horrible writing music. I have to turn up the energy a few notches. While I prefer instrumental music to accompany my reading, my writing music mostly has lyrics. When I read I turn to Vangelis, Delerium, John Williams, James Horner, Enya, David Arkenstone, and Keiko Matsui, but when I write, it is usually Lady Gaga, Madonna, Nadia Ali, Slade, Gregorian, or Comcast’s Music Choice Jazz. To write to it, it has to have energy, power, and never be something I could fall asleep to. For one thing, I need it to drown out the outside world. I use it as a wall to block out things and go into my writing space.
For Well of Dreams, there really wasn’t any particular piece of music that stood out when I was writing. When I was reading it, the tracks Overture and Rinzler really seems to hit a chord. Rinzler really seemed to nail my main character, Ven Zaran. It is especially appropriate when you consider who Rinzler is in Tron: Legacy and Ven Zaran’s troubled past. Rinzler’s story is pretty straight forward. I prefer more complex characters and Ven is definitely that. I’m still discovering more about him and I’ve been writing about him for nearly 10 years. That track just seems to fit him musically. It starts simple and the music grows in complexity and builds, similar to the way Ven’s background grows more complex and as Well of Dreams progresses until in the end, the story climaxes and resolves.
I have Ven’s next tale penned and will almost certainly be putting on the Tron: Legacy as it pull it out again to do the final proof edits. I wonder which track will fit with Ven’s encounter with the Pirates of I’ab. I’d challenge the readers and writers out there who listen to music in conjunction with their novels, to think of what music they connect with different books and characters.
Scott Seldon lives with his family in Colorado and works as an IT administrator. Visit his website for the latest updates and to find where his books are sold.